Born into the Pentecostal faith in Virginia, at the age of 17 Copp became an Amish convert, favouring its ‘quiet but dedicated Christianity’ to some of the more ‘wild and ecstatic’ tenets of his parent’s denomination. It breaks my heart, and I left this film genuinely livid.Kenneth Copp’s life has been defined – and twice upended – by his commitment to seeking the truth.
Time once lost is not recoverable, money once spent requires more labor to regain, and the wish to walk away from a story feeling like we've been entertained, had our minds and hearts opened, once dashed is hard pressed to be soothed back again from boundless feelings of deep discontent and a sense that we have been robbed. Yes, I am being overly dramatic, but at this point, it's too late to turn back. If after The Lord of the Rings, The Chronicles of Narnia, and Harry Potter, the bigwigs in the studios think that this sort of thing can pass as acceptable, then the legacy of Story is over already. There was no respect for the genre here, just a seemingly voracious need to exploit the current fantasy craze. It would be a real challenge for someone to sit down and try to catch them all. I don't think I have the time or the energy to describe all of the problems, violations, and inconsistencies I saw occur within this film that barely topped two hours. Otherwise, the whole thing becomes a free-for-all that never holds any kind of credibility. In any fantasy, there are rules that must be set and limitations where magic is to be found. Though I refuse to count this as praise, any more than I would appreciate a smattering of whipped cream on the top of a rancid pile of stinking, eight-week old peach cobbler. The special effects are where all the money went, and they're fairly decent. Otherwise the acting is not even a subject to be brought up, since cardboard cutouts don't require much effort to portray. But in all seriousness, I think he may have just needed a few extra bucks for a down payment on an Aston Martin he might have had his eye on. Christopher Eccleston fans may get a slight quiver of a laugh out of his (failed) quirky turn as The Rider, the wraith-like shape shifting ambassador of "The Dark". They'll never notice" or "You don't have to explain that, it'll fly right over their heads." I understand that the budget for this film was (gasp) a measly 20 million dollars, but lack of financial resources is NEVER, EVER an excuse to feed gold-plated crap to the masses. There were parts where I imagined the producers saying, "Just leave it that way. This film registers as a negative, a black hole, in the canon of cinematic creations.
Our intelligence is insulted, our tastes are ridiculed, and our freedom of choice turns on us and squeezes its fist around our throats.
It is not enough that we must be subjected to one-dimensional characters, painfully predictable dialogue, hackneyed plot lines, cliché villains, headache-inducing camera work, and one of the worst climaxes ever recorded.
If you were like me and thought "Even if it is cheesy, it might turn out to be fun", then I'm giving you a Get Out Of Jail Free card with this review.
If you have been a fan of Susan Cooper's beloved book series since you were a kid, saw the preview and thought "Maybe it won't be as bad as it seems.", then I weep for your broken childhood love. If you saw the preview and thought "Pass", I would call you prudent.